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I'm online because I need access to Durkheim.
But this question makes me think that there is an interesting paper to be written about the relationship of cinematography/cinematic structuring of the presentation of relationships in the media and the production of the concept (social fact?) of slash fiction.
I mean, not that the idea that how scenes are filmed affects how people perceive on-screen relationships (even in relation to slash specifically) is *new*, but I think it would be interesting to use Durkheim and maaaaaybe Bourdieu to examine it.
But this question makes me think that there is an interesting paper to be written about the relationship of cinematography/cinematic structuring of the presentation of relationships in the media and the production of the concept (social fact?) of slash fiction.
I mean, not that the idea that how scenes are filmed affects how people perceive on-screen relationships (even in relation to slash specifically) is *new*, but I think it would be interesting to use Durkheim and maaaaaybe Bourdieu to examine it.
pensive